I will be the first to admit that I generally don’t love movie musicals and films like Cyrano (affiliate link) ​are the reason why.

Cyrano (affiliate link) is a musical drama based on the play Cyrano de Bergerac by Edmond Rostand. Peter Dinklage stars at the title character who is in love with the beautiful Roxanne (Haley Bennett). When the pair meet early in the film, Roxanne professes that she has fallen in love at first sight and asks Cyrano to arrange a meeting with the man in question, the new soldier Christian played by Kelvin Harrison Jr. Cyrano is heartbroken at Roxanne’s confession, but agrees to set the meeting.
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Christian is similarly smitten with Roxanne, but fears he cannot adequately profess his love. Cyrano works with Christian to write love letters (professing his own love) that Christian can pass off as his own writing.

For a movie musical, the music itself was not very memorable. The one exception was the heart wrenching “Wherever I Fall,” sung by the soldiers on the eve of battle as they write home to their loved ones.

In the end, despite the visual appeal of the movie, I can’t come to love it. As with most movie musicals, I think I would have loved this had I seen it as a live performance on stage where the limitations of space require more ingenuity and creativity to tell the story than on film where you can shoot in numerous locations and sound stages.

7 out of 10

Long before director James Cameron took us on the most famous ocean voyage of the 20th century, he embarked on an undersea adventure that taxed everyone involved, but still manages to hold up over 30 years later.
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The Abyss (affiliate link) features a small crew of Navy SEALs traveling to a deep sea oil drilling platform with the mission of finding a nuclear submarine that crashed nearby and retrieve the warheads before the Soviets can get to them. The team is led by Cameron regular Michael Biehn playing Lieutenant Hiram Coffey. Ed Harris is in excellent form here as the platform’s foreman, Virgil "Bud" Brigman alongside Mary Elizabeth Mastrantonio as Dr. Lindsey Brigman, Bud’s estranged wife and designer of the special platform.

​After recently reading a book all about Cameron’s films and learning what went into making this film, I’m not at all surprised by how well the underwater photography holds up all these years later. True, there are a few instances where it’s a bit clunky and could be done better today with digital images. But the look and feel of all the underwater scenes are generally superb, owed in large part to the insistence by Cameron that most of them be shot in an enormous tank built specifically for the film.

The ending of the film feels a bit unearned by the rest of the story and the last five minutes of the film feel like Cameron just didn’t know how to end things and wrote “and they all lived happily ever after” on the last page of the script. The visuals and technology are a sight to behold even many years later, but all that doesn’t make up for a story that feels unfinished.

7 out of 10

To say I was pleasantly surprised by this film would be an understatement. There is plenty to love here and it is a promising directorial debut from The Office’s B. J. Novak.

Now, the premise of this film is a bit odd on reflection. Ben (Novak) is a journalist from New York City who gets a call from the family of Abilene, a girl he had a fling with, informing him that she is dead. Her brother asks Ben to come to West Texas for her funeral where he quickly realizes that the girl had made much more of their relationship than he had. To top it off, he decides to record a podcast about the situation, complete with interviews with the family and acquaintances, as he tries to figure out who murdered her.

​As odd as that may sound, I think that’s the whole point here. I could actually see myself listening to a podcast like the one Ben makes in the film with the help of his producer Eloise (Issa Rae), who also serves as his lifeline back to New York and the life he had before.

The film plays the “fish out of water” trope in a fresh way for the most part, dropping in humor at Ben trying to fit in while clearly not fitting in at all. The film is clearly a statement on certain aspects of our culture and veers a bit between beating you over the head with it and keeping it so hidden that it’s hard to find. It is not a perfect film, but a solid directorial debut which leaves me excited to see what Novak tackles next.

7 out of 10​

Did we really need another Jurassic Park/Jurassic World movie? Of course not. Are they going to keep making them throughout eternity because people love dinosaurs? Absolutely.

The big draw in this version of the story was always going to be the giant family reunion. We got a glimpse of Jeff Goldblum’s Dr. Ian Malcolm in Jurassic World: Fallen Kingdom, (affiliate link) but this final film in the Trevorrow trilogy brings Laura Dern back as Dr. Ellie Sattler and Sam Neill as Dr. Alan Grant. Throw in a bit of a redemption story for Dr. Henry Wu (BD Wong) and pretty much everyone that survived Spielberg’s original 1993 (affiliate link) film is here.

​Chris Pratt returns as Owen Grady, now in a full relationship with Claire Dearing (Bryce Dallas Howard). This time around they are tasked with protecting Maisie (Isabella Sermon), a young clone that nefarious people want to get their hands on. She is predictably captured in the first 10 minutes of the film, but proves to be resourceful as the rest of the cast joins forces to rescue her.

As with most franchises like this, the film sticks with the formula that has proven to work over the last three decades. In that respect, there is nothing new, not even any really crazy new dinosaurs. But if you love the dinosaurs, and let’s face it, who doesn’t, this will surely scratch that itch better than anything else out there.

6 out of 10

While I don’t quite agree with this being up for Best Picture at the Oscars earlier this year, I do understand the appeal for certain audiences.

Set at the beginning of The Troubles in Belfast, Northern Ireland in 1969, the film follows a young boy named Buddy (Jude Hill) as he navigates those troubled times with his parents (Caitríona Balfe and Jamie Dornan) and grandparents (Judi Dench and Ciarán Hinds).

​This is the first part where the film lost me a bit in that I didn’t connect with the story. It’s obviously a very personal story for Branagh who is from Belfast and would have been around Buddy’s age at the time of the events depicted.

I can understand why many people lauded this as one of the best films of 2021, but still just couldn’t make that connection on a personal level to it. I appreciate the artistry and care put into making the film, but stop short of calling it a true masterpiece.

7 out of 10