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<channel><title><![CDATA[THE OSCAR PROJECT - The Oscar Project Podcast]]></title><link><![CDATA[https://www.theoscarproject.co/podcast]]></link><description><![CDATA[The Oscar Project Podcast]]></description><pubDate>Fri, 30 May 2025 02:20:33 -0400</pubDate><generator>Weebly</generator><item><title><![CDATA[Author Special Episode 10-Ian Nathan]]></title><link><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-10-ian-nathan]]></link><comments><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-10-ian-nathan#comments]]></comments><pubDate>Tue, 24 Oct 2023 14:00:00 GMT</pubDate><category><![CDATA[Author Interview]]></category><guid isPermaLink="false">https://www.theoscarproject.co/podcast/author-special-episode-10-ian-nathan</guid><description><![CDATA[​Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn’t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;disclosure policy&nbsp;and&nbsp;privacy policy.In this author interview, I speak with Ian Nathan for the second time on the podcast He joins me today to talk about his book,&nbsp;David Lynch: A Retrospective [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span style="color:rgb(86, 86, 86)">&#8203;</span><em style="color:rgb(86, 86, 86)">Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn&rsquo;t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">disclosure policy</a>&nbsp;and&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">privacy policy</a>.</em></div><span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.theoscarproject.co/uploads/1/2/6/5/12652767/published/podcast-cover-author-interview-ian-nathan-2.png?1698076245" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image"></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span><div class="paragraph" style="display:block;"><span style="color:rgb(102, 102, 102)">In this author interview, I speak with Ian Nathan for the second time on the podcast He joins me today to talk about his book,&nbsp;</span><a href="https://amzn.to/3FsZF2Z" target="_blank"><em>David Lynch: A Retrospective</em></a><span style="color:rgb(102, 102, 102)">.&nbsp;</span><br><br><span style="color:rgb(102, 102, 102)">Listen to hear the importance of Lynch's first film&nbsp;</span><em style="color:rgb(102, 102, 102)">Eraserhead</em><span style="color:rgb(102, 102, 102)">&nbsp;to his career, what exactly a Lynchian film is, and why Lynch is a mystery even to himself.</span><br><span style="color:rgb(102, 102, 102)">&nbsp;</span><br><br></div><hr style="width:100%;clear:both;visibility:hidden;"><div><div id="655460668632572106" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><div id="buzzsprout-player-13710762"></div></div></div><div class="paragraph"><span style="color:rgb(102, 102, 102)">Books mentioned in this episode include:</span><ul style="color:rgb(102, 102, 102)"><li>"David Lynch Keeps His Head" by David Foster Wallace (appears in&nbsp;<a href="https://amzn.to/473T4aT" target="_blank"><em>A Supposedly Fun Thing I'll Never Do Again</em></a>)</li><li><a href="https://amzn.to/4984pIU" target="_blank"><em>Fassbinder Thousands of Mirrors</em></a>&nbsp;by Ian Penman</li><li><a href="https://amzn.to/3Ft0BV3" target="_blank"><em>The New Journalism</em></a>&nbsp;by Tom Wolf</li></ul><br>Films mentioned in this episode include:<br><span></span><ul style="color:rgb(102, 102, 102)"><li><a href="https://amzn.to/46GLL9y" target="_blank"><em>Eraserhead</em></a>&nbsp;directed by David Lynch</li><li><a href="https://amzn.to/491KX0p" target="_blank"><em>Blue Velvet</em></a>&nbsp;directed by David Lynch</li><li><a href="https://amzn.to/3Mbrvoh" target="_blank"><em>Mulholland Dr.</em></a>&nbsp;directed by David Lynch&nbsp;</li><li><a href="https://amzn.to/3tHfcK6" target="_blank"><em>Rear Window</em></a>&nbsp;directed by Alfred Hitchcock</li><li><a href="https://amzn.to/45MCgnQ" target="_blank"><em>Inland Empire</em></a>&nbsp;directed by David Lynch</li><li><a href="https://amzn.to/45MClrE" target="_blank"><em>The Straight Story</em></a>&nbsp;directed by David Lynch</li><li><a href="https://amzn.to/45HX7Zu" target="_blank"><em>Miller's Crossing</em></a>&nbsp;directed by Joel &amp; Ethan Coen</li><li><a href="https://amzn.to/3s2mx6m" target="_blank"><em>Mad Max: Fury Road</em></a>&nbsp;directed by George Miller</li><li><a href="https://amzn.to/3Me3A7P" target="_blank"><em>A Brief Encounter</em></a>&nbsp;directed by David Lean</li><li><a href="https://amzn.to/46IFvho" target="_blank"><em>Aliens</em></a>&nbsp;directed by James Cameron</li></ul>&#8203;<br>Also mentioned in this episode:<br><span></span><ul style="color:rgb(102, 102, 102)"><li><a href="https://amzn.to/3QuDtMq" target="_blank"><em>Twin Peaks</em></a>&nbsp;created by David Lynch</li></ul></div>]]></content:encoded></item><item><title><![CDATA[Author Special Episode 9-Andrew DeGraff]]></title><link><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-9-andrew-degraff]]></link><comments><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-9-andrew-degraff#comments]]></comments><pubDate>Tue, 10 Oct 2023 14:00:00 GMT</pubDate><category><![CDATA[Author Interview]]></category><guid isPermaLink="false">https://www.theoscarproject.co/podcast/author-special-episode-9-andrew-degraff</guid><description><![CDATA[​Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn’t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;disclosure policy&nbsp;and&nbsp;privacy policy.In this author interview, I speak with Andrew DeGraff, a freelance illustrator and artist living and working in Maine. He graduated from Pratt Institute’s Com [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span style="color:rgb(86, 86, 86)">&#8203;</span><em style="color:rgb(86, 86, 86)">Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn&rsquo;t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">disclosure policy</a>&nbsp;and&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">privacy policy</a>.</em></div><span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:318px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.theoscarproject.co/uploads/1/2/6/5/12652767/published/podcast-cover-author-interview-andrew-degraff.png?1696936652" style="margin-top: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image"></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span><div class="paragraph" style="display:block;">In this author interview, I speak with Andrew DeGraff, a freelance illustrator and artist living and working in Maine. He graduated from Pratt Institute&rsquo;s Communications Design program and returned to teach there from 2009 to 2014. His gallery work has been shown in cities around the world including New York, Philadelphia, San Francisco, Calgary, Mexico City, and the Philippines. He published his book&nbsp;<a href="https://amzn.to/3tz47dG" target="_blank"><em>Plotted: A Literary Atlas</em></a>&nbsp;in 2015 and he joins me today to talk about his book,&nbsp;<a href="https://amzn.to/48K51Ew" target="_blank"><em>Cinemaps: An Atlas of 35 Great Movies</em></a>. &nbsp;<br><br>Listen to hear what exactly a Cinemap is, how long it takes to make a single map, and what some of the challenges are in putting together these unique pieces of art.<br></div><hr style="width:100%;clear:both;visibility:hidden;"><div><div id="601829100292122473" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><div id="buzzsprout-player-13710756"></div></div></div><div class="paragraph"><span style="color:rgb(86, 86, 86)">Books mentioned in this episode include:</span><ul style="color:rgb(102, 102, 102)"><li><a href="https://amzn.to/3Fc76vw" target="_blank"><em>The Rest is Noise: Listening to the Twentieth Century</em></a>&nbsp;by Alex Ross</li><li><a href="https://amzn.to/3ZMKKtY" target="_blank"><em>Invisible Man</em></a>&nbsp;by Ralph Ellison</li><li><a href="https://amzn.to/3tlz5G9" target="_blank"><em>The Culture Series</em></a>&nbsp;by Ian Banks</li><li><a href="https://amzn.to/46CBzhM" target="_blank"><em>The Dark Tower</em></a>&nbsp;by Stephen King</li></ul><br><span style="color:rgb(86, 86, 86)">Films mentioned in this episode include:</span><ul style="color:rgb(102, 102, 102)"><li><a href="https://amzn.to/3Q7eWfY" target="_blank"><em>The Goonies</em></a>&nbsp;directed by Richard Donner</li><li><a href="https://amzn.to/3PSo3zQ" target="_blank"><em>Raiders of the Lost Ark</em></a>&nbsp;directed by Steven Spielberg</li><li><a href="https://amzn.to/3LSEQlc" target="_blank"><em>Star Wars</em></a>&nbsp;directed by George Lucas</li><li><a href="https://amzn.to/46lYiz7" target="_blank"><em>Guardians of the Galaxy</em></a>&nbsp;directed by James Gunn</li><li><a href="https://amzn.to/3FaSaO8" target="_blank"><em>Mad Max: Fury Road</em></a>&nbsp;directed by George Miller</li><li><a href="https://amzn.to/3RSqc13" target="_blank"><em>Metropolis</em></a>&nbsp;directed by Fritz Lang</li><li><a href="https://amzn.to/3PLNx1T" target="_blank"><em>King Kong</em></a>&nbsp;directed by Merian C. Cooper &amp; Ernest B. Schoedsack</li><li><a href="https://amzn.to/45jv5U9" target="_blank"><em>The Wizard of Oz</em></a>&nbsp;directed by Victor Fleming</li><li><a href="https://amzn.to/3FbBYMI" target="_blank"><em>The Conversation</em></a>&nbsp;directed by Francis Ford Coppola</li><li><a href="https://amzn.to/3PNDFVs" target="_blank"><em>The Third Man</em></a>&nbsp;directed by Carol Reed</li><li><a href="https://amzn.to/3PS2a3O" target="_blank"><em>Star Trek</em></a>&nbsp;(2009) directed by J. J. Abrams</li><li><a href="https://amzn.to/46oy5zL" target="_blank"><em>The Shining</em></a>&nbsp;directed by Stanley Kubrick</li><li><a href="https://amzn.to/48JH9AR" target="_blank"><em>The Breakfast Club</em></a>&nbsp;directed by John Hughes</li><li><a href="https://amzn.to/3Q7TdEQ" target="_blank"><em>Terminator 2: Judgement Day</em></a>&nbsp;directed by James Cameron</li><li><a href="https://amzn.to/3ZOn9sG" target="_blank"><em>There Will be Blood</em></a>&nbsp;directed by Paul Thomas Anderson</li><li><a href="https://amzn.to/3LTuEsA" target="_blank"><em>Point Break</em></a>&nbsp;directed by Kathryn Bigelow</li><li><a href="https://amzn.to/3RMLVHP" target="_blank"><em>Se7en</em></a>&nbsp;directed by David Fincher</li><li><a href="https://amzn.to/3RMG996" target="_blank"><em>Fargo</em></a>&nbsp;directed by Joel &amp; Ethan Coen</li><li><a href="https://amzn.to/3Q7BvkP" target="_blank"><em>Back to the Future</em></a>&nbsp;directed by Robert Zemeckis</li><li><a href="https://amzn.to/3Q7fCC2" target="_blank"><em>High and Low</em></a>&nbsp;by Akira Kurosawa</li><li><a href="https://amzn.to/48P0hh4" target="_blank"><em>Spider-Man: Into the Spider-Verse</em></a>&nbsp;directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman</li><li><a href="https://amzn.to/3ZOa2aV" target="_blank"><em>Lord of the Rings</em></a>&nbsp;directed by Peter Jackson</li></ul><br><span style="color:rgb(86, 86, 86)">&#8203;Also mentioned in this episode:</span><ul style="color:rgb(102, 102, 102)"><li><a href="https://www.davidrumsey.com/" target="_blank">David Rumsey Map Database</a></li></ul></div>]]></content:encoded></item><item><title><![CDATA[Author Special Episode 8-Nat Segaloff]]></title><link><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-8-nat-segaloff]]></link><comments><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-8-nat-segaloff#comments]]></comments><pubDate>Tue, 26 Sep 2023 14:00:00 GMT</pubDate><category><![CDATA[Author Interview]]></category><guid isPermaLink="false">https://www.theoscarproject.co/podcast/author-special-episode-8-nat-segaloff</guid><description><![CDATA[&#8203;Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn&rsquo;t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;disclosure policy&nbsp;and&nbsp;privacy policy.   In this author interview, I speak with Nat Segaloff is a writer, broadcaster, teacher, film historian, and raconteur with a varied background in moti [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span style="color:rgb(86, 86, 86)">&#8203;</span><em style="color:rgb(86, 86, 86)">Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn&rsquo;t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">disclosure policy</a>&nbsp;and&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">privacy policy</a>.</em></div>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.theoscarproject.co/uploads/1/2/6/5/12652767/published/podcast-cover-author-interview-nat-segaloff.png?1695732940" style="margin-top: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span style="color:rgb(102, 102, 102)">In this author interview, I speak with Nat Segaloff is a writer, broadcaster, teacher, film historian, and raconteur with a varied background in motion picture publicity, journalism, producing, and covering up other people's mistakes. Having begun his career during the exciting transition between the old studios and the film generation of the New Hollywood, he provides both perspective and commentary on a wide range of subjects, many of them having to do with movies. He joins me today to talk about his upcoming book,&nbsp;</span><a href="https://amzn.to/45P8S13" target="_blank"><em>Say Hello to My Little Friend: A Century of Scarface</em></a><span style="color:rgb(102, 102, 102)">.&nbsp;</span><br /><br /><span style="color:rgb(102, 102, 102)">Listen to hear how the original Scarface film was impacted by the beginning of the production code, and why people gravitate to characters like Tony Montana in film.</span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="paragraph">Books mentioned in this episode include:<br /><span></span><ul style="color:rgb(102, 102, 102)"><li><a href="https://amzn.to/3EEWxk8" target="_blank"><em>Scarface</em></a>&nbsp;by Armitage Trail</li><li><a href="https://amzn.to/3EFe1gd" target="_blank"><em>Scarface Nation: The Ultimate Gangster Movie and How It Changed America</em></a>&nbsp;by Ken Tucker</li><li><a href="https://amzn.to/3PQX6O7" target="_blank"><em>The Exorcist Legacy</em></a>&nbsp;by Nat Segaloff</li><li><a href="https://amzn.to/3RwIZ1J" target="_blank"><em>Which Way to Mecca, Jack? From Brooklyn to Beirut: the Adventures of an American Sheik</em></a>&nbsp;by William Peter Blatty</li><li><a href="https://amzn.to/3ES3CxV" target="_blank"><em>I'll tell them I remember you</em></a>&nbsp;by William Peter Blatty</li><li><a href="https://amzn.to/48qEWdw" target="_blank"><em>John Goldfarb, Please Come Home</em></a>&nbsp;by William Peter Blatty</li><li><a href="https://amzn.to/3roZuCx" target="_blank"><em>In Defense of Elitism</em></a>&nbsp;by William A. Henry III</li></ul><br />Films mentioned in this episode include:<br /><span></span><ul style="color:rgb(102, 102, 102)"><li><a href="https://amzn.to/45Mtqr4" target="_blank"><em>Scarface</em></a>&nbsp;(1983) directed by Brian DiPalma</li><li><a href="https://amzn.to/3PBp14y" target="_blank"><em>Scarface</em></a>&nbsp;(1932) directed by Howard Hawks</li><li><a href="https://amzn.to/48j07hI" target="_blank"><em>The Public Enemy</em></a>&nbsp;directed by William A. Wellman</li><li><a href="https://amzn.to/3PmdWTO" target="_blank"><em>Little Cesars</em></a>&nbsp;directed by Mervyn LeRoy</li><li><a href="https://amzn.to/48H6lYX" target="_blank"><em>Angels with Dirty Faces</em></a>&nbsp;directed by Michael Curtiz</li><li><a href="https://amzn.to/3ZuFLhg" target="_blank"><em>Bonnie &amp; Clyde</em></a>&nbsp;directed by Arthur Penn</li><li><a href="https://amzn.to/3PzXlMn" target="_blank"><em>The Godfather</em></a>&nbsp;directed by Francis Ford Coppola</li><li><a href="https://amzn.to/3t47EAF" target="_blank"><em>Citizen Kane</em></a>&nbsp;directed by Orson Welles</li><li><a href="https://amzn.to/3tdgI6a" target="_blank"><em>Bringing up Baby</em></a>&nbsp;directed by Howard Hawks</li><li><a href="https://amzn.to/458RWkW" target="_blank"><em>His Girl Friday</em></a>&nbsp;directed by Howard Hawks</li><li><a href="https://amzn.to/455up4G" target="_blank"><em>Some Like it Hot</em></a>&nbsp;directed by Billy Wilder</li><li><a href="https://amzn.to/46rrmoy" target="_blank"><em>The Private Life of Sherlock Holmes</em></a>&nbsp;directed by Billy Wilder</li></ul><br />&#8203;Also mentioned in this episode:<br /><span></span><ul style="color:rgb(102, 102, 102)"><li><a href="https://amzn.to/3t98mg4" target="_blank">Scarface video game</a></li></ul></div>]]></content:encoded></item><item><title><![CDATA[Episode 1.10 - The Racket: Cops vs. Robbers]]></title><link><![CDATA[https://www.theoscarproject.co/podcast/episode-110-the-racket-cops-vs-robbers]]></link><comments><![CDATA[https://www.theoscarproject.co/podcast/episode-110-the-racket-cops-vs-robbers#comments]]></comments><pubDate>Mon, 18 Sep 2023 04:00:00 GMT</pubDate><category><![CDATA[1927 1928]]></category><category><![CDATA[Drama]]></category><guid isPermaLink="false">https://www.theoscarproject.co/podcast/episode-110-the-racket-cops-vs-robbers</guid><description><![CDATA[Regular episodes of The Oscar Project are back and this week I'm discussing the 1928 film&nbsp;The Racket. This story is adapted from a play of the same name and was considered one of the most important cop/gangster films of the time when it was released. Listen now to learn about the threats made against the creators and as always, my own thoughts about the film.Look for more episodes every Monday as I finish out the rest of the films nominated for Oscars at the very first Academy Awards.•Mus [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.theoscarproject.co/uploads/1/2/6/5/12652767/published/podcast-cover-1-10-the-racket.png?1695046383" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image"></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span><div class="paragraph" style="display:block;"><span style="color:rgb(102, 102, 102)">Regular episodes of The Oscar Project are back and this week I'm discussing the 1928 film&nbsp;</span><em style="color:rgb(102, 102, 102)">The Racket</em><span style="color:rgb(102, 102, 102)">. This story is adapted from a play of the same name and was considered one of the most important cop/gangster films of the time when it was released. <a href="https://www.buzzsprout.com/788981/13580500" target="_blank">Listen now</a> to learn about the threats made against the creators and as always, my own thoughts about the film.</span><br><br><span style="color:rgb(102, 102, 102)">Look for more episodes every Monday as I finish out the rest of the films nominated for Oscars at the very first Academy Awards.</span></div><hr style="width:100%;clear:both;visibility:hidden;"><div><div id="515574443829484498" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml">&bull;<div id="buzzsprout-player-13580500"></div></div></div><div class="paragraph"><span style="color:rgb(86, 86, 86)">Music for this episode from&nbsp;</span><a href="https://filmmusic.io/" target="_blank">https://filmmusic.io</a><span style="color:rgb(86, 86, 86)">,&nbsp;"Onion Capers" and&nbsp;"Breaktime" by Kevin MacLeod (</span><a href="https://incompetech.com/" target="_blank">https://incompetech.com</a><span style="color:rgb(86, 86, 86)">) License: CC BY (</span><a href="http://creativecommons.org/licenses/by/4.0/" target="_blank">http://creativecommons.org/licenses/by/4.0/</a><span style="color:rgb(86, 86, 86)">)</span></div>]]></content:encoded></item><item><title><![CDATA[Author Special Episode 7-Brad Weismann]]></title><link><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-7-brad-weismann]]></link><comments><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-7-brad-weismann#comments]]></comments><pubDate>Tue, 12 Sep 2023 14:00:00 GMT</pubDate><category><![CDATA[Author Interview]]></category><category><![CDATA[Horror]]></category><guid isPermaLink="false">https://www.theoscarproject.co/podcast/author-special-episode-7-brad-weismann</guid><description><![CDATA[​Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn’t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;disclosure policy&nbsp;and&nbsp;privacy policy.In this author interview, I speak with Brad Weismann, an award-winning writer and journalist who has also worked as a stand-up comic and improv actor. He’s co [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span style="color:rgb(86, 86, 86)">&#8203;</span><em style="color:rgb(86, 86, 86)">Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn&rsquo;t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">disclosure policy</a>&nbsp;and&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">privacy policy</a>.</em></div><span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.theoscarproject.co/uploads/1/2/6/5/12652767/published/podcast-cover-author-interview-brad-weismann.png?1694349918" style="margin-top: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image"></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span><div class="paragraph" style="display:block;"><span style="color:rgb(102, 102, 102)">In this author interview, I speak with Brad Weismann, an award-winning writer and journalist who has also worked as a stand-up comic and improv actor. He&rsquo;s contributed to publications and websites worldwide such as&nbsp;</span><em style="color:rgb(102, 102, 102)">Senses of Cinema</em><span style="color:rgb(102, 102, 102)">,&nbsp;</span><em style="color:rgb(102, 102, 102)">Film International</em><span style="color:rgb(102, 102, 102)">,&nbsp;</span><em style="color:rgb(102, 102, 102)">Backstage</em><span style="color:rgb(102, 102, 102)">,&nbsp;</span><em style="color:rgb(102, 102, 102)">Movie Habit</em><span style="color:rgb(102, 102, 102)">,&nbsp;</span><em style="color:rgb(102, 102, 102)">Colorado Daily</em><span style="color:rgb(102, 102, 102)">&nbsp;and&nbsp;</span><em style="color:rgb(102, 102, 102)">Boulder Magazine</em><span style="color:rgb(102, 102, 102)">. His first book,&nbsp;</span><a href="https://amzn.to/45yJSuP" target="_blank"><em>Lost in the Dark: A World History of Horror Films</em></a><span style="color:rgb(102, 102, 102)">, was recently published by the University of Mississippi and he contributed to the critical collection&nbsp;</span><em style="color:rgb(102, 102, 102)">100 Years of Soviet Cinema</em><span style="color:rgb(102, 102, 102)">. He joins me today to talk about his new book,&nbsp;</span><a href="https://amzn.to/47TBrvP" target="_blank"><em>Horror Unmasked: A History of Terror from Nosferatu to Nope</em></a><span style="color:rgb(102, 102, 102)">.&nbsp;</span><br><br><span style="color:rgb(102, 102, 102)">Listen to hear about what horror is, how horror films are similar to today's superhero films, and why the horror genre has been kept out of the Oscars (with very few exceptions).</span></div><hr style="width:100%;clear:both;visibility:hidden;"><div><div id="400214633383373508" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><div id="buzzsprout-player-13465155"></div></div></div><div class="paragraph">Books mentioned in this episode include:<br><span></span><ul><li><a href="https://amzn.to/3YX3038" target="_blank"><em>Danse Macabre</em></a>&nbsp;by Stephen King</li><li><a href="https://amzn.to/3Z0qW5H" target="_blank"><em>The Monster Show: A Cultural History of Horror</em></a>&nbsp;by David J. Skal</li><li><a href="https://amzn.to/3qVQCnz" target="_blank"><em>Screams of Reason: Mad Science in Modern Culture</em></a>&nbsp;by David J. Skal</li><li><a href="https://amzn.to/3Elcmwc" target="_blank"><em>Dark Carnival: The Secret World of Tod Browning, Hollywood's Master of Macabre</em>&nbsp;</a>by David J. Skal</li><li><a href="https://amzn.to/45MLZuO" target="_blank"><em>The Horror Film: An Introduction</em></a>&nbsp;by Rick Worland</li><li><a href="https://amzn.to/45So8Ko" target="_blank"><em>The Rough Guide to Horror Movies</em></a>&nbsp;by Alan Jones</li><li><a href="https://amzn.to/45SoQap" target="_blank"><em>Four of the Three Musketeers: The Marx Brothers on Stage</em></a>&nbsp;by Robert S. Bader</li><li><a href="https://amzn.to/3QXOQgp" target="_blank"><em>Montaigne's Essays</em></a>&nbsp;by Michel de Montaigne</li><li><a href="https://amzn.to/45xyYFE" target="_blank"><em>On the Air: The Encyclopedia of Old-Time Radio</em></a>&nbsp;by John Dunning</li></ul>Films mentioned in this episode include:<br><span></span><ul><li><a href="https://amzn.to/3YSF3Kk" target="_blank"><em>Dracula</em></a>&nbsp;directed by Tod Browning &amp; Karl Freund</li><li><a href="https://amzn.to/3sBUwCN" target="_blank"><em>The Mummy</em></a>&nbsp;directed by Karl Freund</li><li><a href="https://amzn.to/3sxEDxb" target="_blank"><em>Frankenstein</em></a>&nbsp;directed by James Whale</li><li><a href="https://amzn.to/47Y52UK" target="_blank"><em>Batman vs. Superman</em></a>&nbsp;directed by Zack Snyder</li><li><a href="https://amzn.to/44xZzkP" target="_blank"><em>Freddy vs. Jason</em></a>&nbsp;directed by Ronny Yu</li><li><a href="https://amzn.to/44COn6m" target="_blank"><em>Get Out</em></a>&nbsp;directed by Jordan Peele</li><li><a href="https://amzn.to/44GRSJi" target="_blank"><em>The Shape of Water</em></a>&nbsp;directed by Guillermo del Toro</li><li><a href="https://amzn.to/47WTqBr" target="_blank"><em>The Silence of the Lambs</em></a>&nbsp;directed by Jonathan Demme</li><li><a href="https://amzn.to/3R3oucH" target="_blank"><em>Smile</em></a>&nbsp;directed by Parker Finn</li><li><a href="https://amzn.to/3Z0bGpt" target="_blank"><em>Nope</em></a>&nbsp;directed by directed by Jordan Peele&nbsp;</li><li><a href="https://amzn.to/3P2es9m" target="_blank"><em>Evil Dead Rise</em></a>&nbsp;directed by Lee Cronin</li><li><a href="https://amzn.to/3sBXp6B" target="_blank"><em>The Bride of Frankenstein</em></a>&nbsp;directed by James Whale</li><li><a href="https://amzn.to/3L4d70A" target="_blank"><em>Peeping Tom</em></a>&nbsp;directed by Michael Powell</li><li><a href="https://amzn.to/3sAmNcI" target="_blank"><em>The Wicker Man</em></a>&nbsp;directed by Robin Hardy</li><li><a href="https://amzn.to/3YW9cso" target="_blank"><em>Seven Samurai</em></a>&nbsp;directed by Akira Kurosawa</li><li><a href="https://amzn.to/3YW97VC" target="_blank"><em>Lawrence of Arabia</em></a>&nbsp;directed by David Lean</li><li><a href="https://amzn.to/3EiIErA" target="_blank"><em>Children of Paradise</em></a><em>&nbsp;</em>directed by Marcel Carne</li></ul>Also mentioned in this episode:<br><span></span><ul><li><a href="https://amzn.to/3Z0bUgj" target="_blank"><em>Scooby-Doo</em></a></li></ul></div>]]></content:encoded></item><item><title><![CDATA[Author Special Episode 6-Koren Shadmi]]></title><link><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-6-koren-shadmi]]></link><comments><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-6-koren-shadmi#comments]]></comments><pubDate>Tue, 29 Aug 2023 14:00:00 GMT</pubDate><category><![CDATA[Author Interview]]></category><guid isPermaLink="false">https://www.theoscarproject.co/podcast/author-special-episode-6-koren-shadmi</guid><description><![CDATA[​Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn’t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;disclosure policy&nbsp;and&nbsp;privacy policy.In this author interview, I speak with Koren Shadmi, the author of&nbsp;Bionic,&nbsp;Rise of the Dungeon Master,&nbsp;Gary Gygax and the Creation of D&amp;D, an [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span style="color:rgb(86, 86, 86)">&#8203;</span><em style="color:rgb(86, 86, 86)">Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn&rsquo;t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">disclosure policy</a>&nbsp;and&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">privacy policy</a>.</em></div><span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:302px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.theoscarproject.co/uploads/1/2/6/5/12652767/published/podcast-cover-author-interview-koren-shadmi.png?1693278738" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image"></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span><div class="paragraph" style="display:block;"><span style="color:rgb(51, 51, 51)">In this author interview, I speak with Koren Shadmi, the author of&nbsp;</span><a href="https://amzn.to/3PiLgwd"><em>Bionic</em></a><span style="color:rgb(51, 51, 51)">,&nbsp;</span><a href="https://amzn.to/3OROntv"><em>Rise of the Dungeon Master</em>,&nbsp;<em>Gary Gygax and the Creation of D&amp;D</em></a><span style="color:rgb(51, 51, 51)">, and&nbsp;</span><a href="https://amzn.to/47RbEV2"><em>The Twilight Man: Rod Serling and the Birth of Television</em></a><span style="color:rgb(51, 51, 51)">. He joins me today to talk about his graphic novel,&nbsp;</span><a href="https://amzn.to/3ssXkSp"><em>Lugosi: The Rise &amp; Fall of Hollywood&rsquo;s Dracula</em></a><span style="color:rgb(51, 51, 51)">.</span><br><br><span style="color:rgb(51, 51, 51)">Listen to hear about how Lugosi's history as an activist, how Lugosi's career might have been different had he played Frankenstein's monster, and why&nbsp;</span><em style="color:rgb(51, 51, 51)">Dracula</em><span style="color:rgb(51, 51, 51)">&nbsp;is such an enduring story for film adaptation.</span></div><hr style="width:100%;clear:both;visibility:hidden;"><div><div id="585710143778983966" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><div id="buzzsprout-player-13464354"></div></div></div><div class="paragraph">Books mentioned in this episode include:<br><span></span><ul style="color:rgb(51, 51, 51)"><li><a href="https://amzn.to/3EcIguZ"><em>All Tomorrow&rsquo;s Parties: The Velvet Underground Story</em></a>&nbsp;by Koren Shadmi</li><li><a href="https://amzn.to/3QZaTDd"><em>Dracula</em></a>&nbsp;by Bram Stoker</li><li><a href="https://amzn.to/45qPzLt"><em>Lugosi The Man Behind the Cape</em></a>&nbsp;by Robert Cremer</li><li><a href="https://www.classic-monsters.com/shop/product/bela-lugosi-hollywoods-prince-of-darkness/"><em>Bela Lugosi: Hollywood&rsquo;s Prince of Darkness</em></a>&nbsp;by Nige Burton and Jamie Jones</li><li><a href="https://amzn.to/3OVfRyv"><em>Acting Class</em></a>&nbsp;by Nick Drnaso</li></ul>Films mentioned in this episode include:<br><span></span><ul style="color:rgb(51, 51, 51)"><li><a href="https://amzn.to/3YSF3Kk"><em>Dracula</em></a>&nbsp;directed by Tod Browning &amp; Karl Freund</li><li><a href="https://amzn.to/3YVS0mD"><em>Son of Frankenstein</em></a>&nbsp;directed by Rowland V. Lee</li><li><a href="https://amzn.to/3EhkUo0"><em>The Black Cat</em></a>&nbsp;directed by Edgar G. Ulmer</li><li><a href="https://amzn.to/3sxEDxb"><em>Frankenstein</em></a>&nbsp;directed by James Whale</li><li><a href="https://amzn.to/45P5ToS"><em>Renfield</em></a>&nbsp;directed by Chris McKay</li><li><a href="https://amzn.to/3Ehl0vS"><em>Last Voyage of the Demeter</em></a>&nbsp;directed by Andr&eacute; &Oslash;vredal</li><li><a href="https://amzn.to/3OR0cAd"><em>Videodrome</em></a>&nbsp;directed by David Cronenberg</li><li><a href="https://amzn.to/3Pfcgwl"><em>The 400 Blows</em></a>&nbsp;directed by Fran&ccedil;ois Truffaut</li><li><a href="https://amzn.to/3qRyrPT"><em>Vertigo</em></a>&nbsp;directed by Alfred Hitchcock</li></ul>Music mentioned in this episode includes:<br><span></span><ul style="color:rgb(51, 51, 51)"><li><a href="https://amzn.to/3QTpZKE">Bauhaus</a></li></ul></div>]]></content:encoded></item><item><title><![CDATA[Author Special Episode 5-Ian Nathan]]></title><link><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-5-ian-nathan]]></link><comments><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-5-ian-nathan#comments]]></comments><pubDate>Tue, 15 Aug 2023 14:00:00 GMT</pubDate><category><![CDATA[Author Interview]]></category><guid isPermaLink="false">https://www.theoscarproject.co/podcast/author-special-episode-5-ian-nathan</guid><description><![CDATA[​Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn’t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;disclosure policy&nbsp;and&nbsp;privacy policy.​In this author interview, I speak with Ian Nathan, the author of&nbsp;Stephen King at The Movies,&nbsp;Ridley Scott: A Retrospective&nbsp;and&nbsp;James Came [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span style="color:rgb(86, 86, 86)">&#8203;</span><em style="color:rgb(86, 86, 86)">Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn&rsquo;t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">disclosure policy</a>&nbsp;and&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">privacy policy</a>.</em></div><span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.theoscarproject.co/uploads/1/2/6/5/12652767/published/podcast-cover-author-interview-ian-nathan.png?1692278631" style="margin-top: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image"></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span><div class="paragraph" style="display:block;">&#8203;In this author interview, I speak with Ian Nathan, the author of&nbsp;<a href="https://amzn.to/3KvVJkY" target="_blank"><em>Stephen King at The Movies</em></a>,&nbsp;<a href="https://amzn.to/3KyvnPm" target="_blank"><em>Ridley Scott: A Retrospective</em></a>&nbsp;and&nbsp;<a href="https://amzn.to/47ti8tg" target="_blank"><em>James Cameron: A Retrospective</em></a>, and biographies of&nbsp;<a href="https://amzn.to/47pEqvK" target="_blank">The Coen Brothers</a>,&nbsp;<a href="https://amzn.to/3DNgu87" target="_blank">Quentin Tarantino</a>, and&nbsp;<a href="https://amzn.to/3qnV66a" target="_blank">Wes Anderson</a>. He is the former editor and executive editor of&nbsp;<em>Empire</em>, the world's biggest movie magazine, and a regular contributor to newspapers, magazines, and TV. He joins me today to talk about his new book coming out September 7th,&nbsp;<a href="https://amzn.to/3qmlVYx" target="_blank"><em>Clint Eastwood: The Iconic Filmmaker and His Work</em></a>.&nbsp;<br><br>Listen to hear about how Eastwood fits in to both the old star tradition of Hollywood and the upstart filmmakers that came in the 1970s, how Eastwood can be considered a feminist filmmaker, and whether Eastwood will ever truly retire from filmmaking.<br></div><hr style="width:100%;clear:both;visibility:hidden;"><div><div id="694880927199551759" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><div id="buzzsprout-player-13161877"></div></div></div><div class="paragraph"><span style="color:rgb(86, 86, 86)">Books mentioned in this episode include:</span><ul><li><a href="https://amzn.to/3YuFLx7" target="_blank"><em>Flags of Our Fathers</em></a><span style="color:rgb(86, 86, 86)">&nbsp;by James Bradley and Ron Powers</span><br></li><li><a href="https://amzn.to/3QALyzo" target="_blank"><em>Clint Eastwood: A Biography</em></a><span style="color:rgb(86, 86, 86)">&nbsp;by Richard Schickel</span><br></li><li><a href="https://amzn.to/3Yrtz0e" target="_blank"><em>Clint Eastwood Interviews</em></a><span style="color:rgb(86, 86, 86)">&nbsp;edited by Robert E. Kapsis and Kathie Coblentz</span><br></li><li><a href="https://amzn.to/3OtXmB1" target="_blank"><em>City of Nets: A Portrait of Hollywood in the 1940's</em></a><span style="color:rgb(86, 86, 86)">&nbsp;by Otto Friedrich</span><br></li><li><a href="https://amzn.to/451ALmm" target="_blank"><em>Final Cut: Art, Money, and Ego in the Making of Heaven's Gate, the Film that Sank United Artists</em></a><span style="color:rgb(86, 86, 86)">&nbsp;by Steven Bach</span><br></li><li><a href="https://amzn.to/3KArY2n" target="_blank"><em>David Lynch: A Retrospective</em></a><span style="color:rgb(86, 86, 86)">&nbsp;by Ian Nathan</span></li></ul><br><span style="color:rgb(86, 86, 86)">Films mentioned in this episode include:</span><ul><li><a href="https://amzn.to/3Kve8yr" target="_blank"><em>Dirty Harry</em></a><span style="color:rgb(86, 86, 86)">&nbsp;directed by Don Siegel</span><br></li><li><a href="https://amzn.to/3s3Z0BL" target="_blank"><em>Play Misty for Me</em></a><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><a href="https://amzn.to/3QurDlB" target="_blank"><em>The Gauntlet</em></a><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><a href="https://amzn.to/45qoish" target="_blank"><em>Million Dollar Baby</em></a><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><a href="https://amzn.to/3s4zxrU" target="_blank"><em>Bird</em></a><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><a href="https://amzn.to/45kXFET" target="_blank"><em>Flags of Our Fathers</em></a><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><a href="https://amzn.to/3OO2aBt" target="_blank"><em>Letters From Iwo Jima</em></a><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><a href="https://amzn.to/3OszYDU" target="_blank"><em>Invictus</em></a><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><a href="https://amzn.to/450kXAl" target="_blank"><em>The Outlaw Josey Wales</em></a><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><a href="https://amzn.to/3QzTTUc" target="_blank"><em>Unforgiven</em></a><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><em style="color:rgb(86, 86, 86)"><span id="selectionBoundary_1692278879804_12744942718669505" class="rangySelectionBoundary" style="line-height: 0; display: none;">&#65279;</span><a href="https://amzn.to/3KMcKrf" target="_blank">Mystic River</a><span id="selectionBoundary_1692278879795_45869038308084464" class="rangySelectionBoundary" style="line-height: 0; display: none;">&#65279;</span></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3KK0lUW" target="_blank">Rawhide</a></em><span style="color:rgb(86, 86, 86)">&nbsp;(television series)</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/44cLYPI" target="_blank">A Fistful of Dollars</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Sergio Leone</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/45duqEj" target="_blank">For a Few Dollars More</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Sergio Leone</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3sdaq6e" target="_blank">The Good, the Bad and the Ugly</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Sergio Leone</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3YDP91z" target="_blank">High Plaines Drifter</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3YD7o7m" target="_blank">Pale Rider</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://en.wikipedia.org/wiki/Juror_No._2" target="_blank">Juror No. 2</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/47ylA5M" target="_blank">Cry Macho</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Clint Eastwood</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3OyNeXA" target="_blank">Blade Runner</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Ridley Scott</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3OIn0BY" target="_blank">Paris, Texas</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Wim Wenders</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/45ujstS" target="_blank">Miller&rsquo;s Crossing</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Joel and Ethan Coen</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3QM2uTF" target="_blank">E.T. The Extraterrestrial</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Steven Spielberg</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3YBjnlX" target="_blank">Rear Window</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Alfred Hitchcock</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/44tBZWx" target="_blank">Quo Vadis</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Mervyn LeRoy</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3QDpnbX" target="_blank">The Godfather</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Francis Ford Coppola</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3OZrDsD" target="_blank">Blue Velvet</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by David Lynch</span><br></li><li><em style="color:rgb(86, 86, 86)"><a href="https://amzn.to/3OI2eSS" target="_blank">Barton Fink</a></em><span style="color:rgb(86, 86, 86)">&nbsp;directed by Joel and Ethan Coen</span></li></ul></div>]]></content:encoded></item><item><title><![CDATA[Author Special Episode 3-Suzanne Ferriss]]></title><link><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-3-suzanne-ferriss]]></link><comments><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-3-suzanne-ferriss#comments]]></comments><pubDate>Tue, 18 Jul 2023 14:00:00 GMT</pubDate><category><![CDATA[Author Interview]]></category><guid isPermaLink="false">https://www.theoscarproject.co/podcast/author-special-episode-3-suzanne-ferriss</guid><description><![CDATA[​Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn’t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;disclosure policy&nbsp;and&nbsp;privacy policy.In this author interview, I speak with Suzanne Ferriss whose first book about Sofia Coppola&nbsp;The Cinema of Sofia Coppola: Fashion, Culture, Celebrity&nbsp;w [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span style="color:rgb(86, 86, 86)">&#8203;</span><em style="color:rgb(86, 86, 86)">Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn&rsquo;t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">disclosure policy</a>&nbsp;and&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">privacy policy</a>.</em></div><span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:298px;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.theoscarproject.co/uploads/1/2/6/5/12652767/published/podcast-cover-author-interview-suzanne-ferriss.png?1689686625" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image"></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span><div class="paragraph" style="display:block;">In this author interview, I speak with Suzanne Ferriss whose first book about Sofia Coppola&nbsp;<a href="https://amzn.to/44J30FC" target="_blank"><em>The Cinema of Sofia Coppola: Fashion, Culture, Celebrity</em></a>&nbsp;was published in February 2021 and she edited&nbsp;<a href="https://amzn.to/3XSugj3" target="_blank"><em>The Bloomsbury Handbook to Sofia Coppola</em></a>, which was published in early 2023. She joins me today to talk about her latest book,&nbsp;<a href="https://amzn.to/3OgpVTx" target="_blank"><em>Lost in Translation</em></a>&nbsp;from BFI Film Classics about Coppola&rsquo;s film that celebrates its 20th anniversary this year.<br><br>Listen to hear about Suzanne&rsquo;s approach to writing about Coppola&rsquo;s work, the wealth of films she recommends, and thoughts on who might be a good fit to cast in&nbsp;<em>Lost in Translation</em>&nbsp;if it were made today.<br></div><hr style="width:100%;clear:both;visibility:hidden;"><div><div id="850583705586266022" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><div id="buzzsprout-player-13148715"></div></div></div><div class="paragraph"><span style="color:rgb(86, 86, 86)">Books mentioned in this episode include:</span><ul style="color:rgb(86, 86, 86)"><li><a href="https://amzn.to/44GGJbS" target="_blank"><em>The Virgin Suicides</em></a>&nbsp;by Jeffrey Eugenides</li><li><a href="https://amzn.to/3XSugj3" target="_blank"><em>The Bloomsbury Handbook to Sofia Coppola</em></a>&nbsp;edited by Suzanne Ferriss</li><li><a href="https://amzn.to/3rxb0eH" target="_blank"><em>Sofia Coppola: The Politics of Visual Pleasure</em></a>&nbsp;by Anna Backman Rogers</li><li><a href="https://amzn.to/3ruZVLc" target="_blank"><em>Sofia Coppola: A Cinema of Girlhood</em></a>&nbsp;by Fiona Handyside</li><li><a href="https://amzn.to/3Ojokw7" target="_blank"><em>The Ministry for the Future</em></a>&nbsp;by Kim Stanley Robinson</li><li><a href="https://amzn.to/3JXBzQM" target="_blank"><em>The Overstory</em></a>&nbsp;by Richard Powers</li><li><a href="https://amzn.to/3K2uzCe" target="_blank"><em>Interior Chinatown</em></a>&nbsp;by Charles Yu</li><li><a href="https://amzn.to/3K4mehk" target="_blank"><em>The Sympathizer</em></a>&nbsp;by Viet Thanh Nguyen</li><li><a href="https://amzn.to/44sejT5" target="_blank"><em>Good for a Girl: A Woman Running in a Man's World</em></a>&nbsp;by Lauren Fleshman</li></ul><br><span style="color:rgb(86, 86, 86)">Films mentioned in this episode:</span><ul style="color:rgb(86, 86, 86)"><li><a href="https://amzn.to/3rAIMjh" target="_blank"><em>Virgin Suicides</em></a>&nbsp;directed by Sofia Coppola</li><li><a href="https://amzn.to/46SuDhu" target="_blank"><em>An Affair to Remember</em></a>&nbsp;directed by Leo McCarey</li><li><a href="https://amzn.to/46UW3n6" target="_blank"><em>Manny &amp; Lo</em></a>&nbsp;directed by Lisa Krueger</li><li><a href="https://amzn.to/46TvHl5" target="_blank"><em>Girl with a Pearl Earring</em></a>&nbsp;directed by Johannes Vermeer</li><li><a href="https://amzn.to/3Y2WVly" target="_blank"><em>Asteroid City</em></a>&nbsp;directed by Wes Anderson</li><li><a href="https://amzn.to/3YbTetX" target="_blank"><em>Groundhog Day</em></a>&nbsp;directed by Harold Ramis</li><li><a href="https://amzn.to/3XUCIhA" target="_blank"><em>Rushmore</em></a>&nbsp;directed by Wes Anderson</li><li><a href="https://amzn.to/43pyVKk" target="_blank"><em>On the Rocks</em></a>&nbsp;directed by Sofia Coppola</li><li><em>Past Lives</em>&nbsp;directed by Celine Song</li><li><a href="https://amzn.to/3XSupTD" target="_blank"><em>Rear Window</em></a>&nbsp;directed by Alfred Hitchcock</li><li><a href="https://amzn.to/3NV16LC" target="_blank"><em>Parasite</em></a>&nbsp;directed by Bong Joon-ho</li><li><a href="https://amzn.to/3XY13mK" target="_blank"><em>Somewhere</em></a>&nbsp;directed by Sofia Coppola</li><li><a href="https://amzn.to/3NWRVtV" target="_blank"><em>The Thin Man</em></a>&nbsp;directed by W. S. Van Dyke</li><li><a href="https://amzn.to/3K2uPRI" target="_blank"><em>Party Girl</em></a>&nbsp;directed by Daisy von Scherler Mayer</li><li><a href="https://amzn.to/3pVgH5S" target="_blank"><em>Silver Linings Playbook</em></a>&nbsp;directed by David O. Russell</li><li><a href="https://amzn.to/43zGQVo" target="_blank"><em>Psycho</em></a>&nbsp;directed by Alfred Hitchcock</li><li><a href="https://amzn.to/43ucB2e" target="_blank"><em>Grand Budapest Hotel</em></a>&nbsp;directed by Wes Anderson</li><li><a href="https://amzn.to/3PV2sZk" target="_blank"><em>The Shining</em></a>&nbsp;directed by Stanley Kubrick</li></ul><br><a href="https://en.wikipedia.org/wiki/John_Kacere" target="_blank">John Kacere on Wikipedia</a><span style="color:rgb(86, 86, 86)">, inspiration for the opening shot of&nbsp;</span><em style="color:rgb(86, 86, 86)">Lost in Translation</em><span style="color:rgb(86, 86, 86)">.</span><br><br><a href="https://youtu.be/SAWzXkV3hHo" target="_blank">Video for Shawn Mendes's sons "Lost in Japan"</a><span style="color:rgb(86, 86, 86)">, inspired by&nbsp;</span><em style="color:rgb(86, 86, 86)">Lost in Translation</em><span style="color:rgb(86, 86, 86)">.</span></div>]]></content:encoded></item><item><title><![CDATA[Author Special Episode 2-Charlotte Booth and Brian Billington]]></title><link><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-2-charlotte-booth-and-brian-billington]]></link><comments><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-2-charlotte-booth-and-brian-billington#comments]]></comments><pubDate>Tue, 04 Jul 2023 14:50:57 GMT</pubDate><category><![CDATA[Author Interview]]></category><guid isPermaLink="false">https://www.theoscarproject.co/podcast/author-special-episode-2-charlotte-booth-and-brian-billington</guid><description><![CDATA[​Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn’t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;disclosure policy&nbsp;and&nbsp;privacy policy.​In my second author interview, I speak with guests Charlotte Booth and Brian Billington. Charlotte Booth is a professional writer of history books (including [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span style="color:rgb(86, 86, 86)">&#8203;</span><em style="color:rgb(86, 86, 86)">Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn&rsquo;t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">disclosure policy</a>&nbsp;and&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">privacy policy</a>.</em></div><span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.theoscarproject.co/uploads/1/2/6/5/12652767/published/podcast-cover-author-interview-charlotte-brian.png?1688482512" style="margin-top: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image"></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span><div class="paragraph" style="display:block;">&#8203;In my second author interview, I speak with guests Charlotte Booth and Brian Billington. Charlotte Booth is a professional writer of history books (including&nbsp;<a href="https://amzn.to/3XAjde0" target="_blank"><em>The History of the Undead</em></a>, and&nbsp;<a href="https://amzn.to/3CUPuD4" target="_blank"><em>How to Survive in Ancient Egypt</em></a>), and was also an extra in a Bollywood movie. Brian Billington is an IT professional, amateur photographer, and a lover of movies who enjoys working out where those movies were filmed.<br><br>Over the years they&rsquo;ve created personal movie location tours including Wells, Turin and London, and decided it was time to share this with others. They join me today to talk about their collaboration,&nbsp;<a href="https://amzn.to/3CUoaVE" target="_blank"><em>The Movie Lover&rsquo;s Guide to London</em></a>.<br>&nbsp;<br>Listen to hear about how Charlotte and Brian came up with the idea for the book, some diverging thoughts on James Bond, and the oddest dinner party guest list in film.</div><hr style="width:100%;clear:both;visibility:hidden;"><div><div id="708383103153879246" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><div id="buzzsprout-player-13148694"></div></div></div><div class="paragraph">Books mentioned in this episode include:<ul><li><a href="https://amzn.to/3rhnjvn" target="_blank"><em>Hollywood Wants to Kill You: The Peculiar Science of Death in the Movies</em></a>&nbsp;by Michael Brooks and Rick Edwards<br></li><li><a href="https://amzn.to/3praKgP" target="_blank"><em>The Italian Boy: A Tale of Murder and Body Snatching in 1830s London</em></a>&nbsp;by Sarah Wise</li></ul>Films mentioned in this episode include:<ul><li><a href="https://amzn.to/3NE2rpI" target="_blank"><em>Hot Fuzz</em></a>&nbsp;directed by Edgar Wright<br></li><li><a href="https://amzn.to/43hWDby" target="_blank"><em>Mission: Impossible - Fallout</em></a>&nbsp;directed by Christopher McQuarrie<br></li><li><a href="https://amzn.to/3pq6MFb" target="_blank"><em>Cockneys vs Zombies</em></a>&nbsp;directed by Matthias Hoene<br></li><li><a href="https://amzn.to/44fEIna" target="_blank"><em>Lock, Stock and Two Smoking Barrels</em></a>&nbsp;directed by Guy Ritchie<br></li><li><a href="https://amzn.to/3r9Xyxc" target="_blank"><em>Paddington</em></a>&nbsp;directed by Paul King<br></li><li><a href="https://amzn.to/3NBRK79" target="_blank"><em>Bridget Jones's Diary</em></a>&nbsp;directed by Sharon Maguire<br></li><li><a href="https://amzn.to/3JCFQJe" target="_blank"><em>Snatch</em></a>&nbsp;directed by Guy Ritcie<br></li><li><a href="https://amzn.to/3JJiHou" target="_blank"><em>James Bond&nbsp;</em>Franchise</a></li></ul></div>]]></content:encoded></item><item><title><![CDATA[Author Special Episode 1-Mia Mask]]></title><link><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-1-mia-mask]]></link><comments><![CDATA[https://www.theoscarproject.co/podcast/author-special-episode-1-mia-mask#comments]]></comments><pubDate>Tue, 20 Jun 2023 04:00:00 GMT</pubDate><category><![CDATA[Author Interview]]></category><category><![CDATA[Western]]></category><guid isPermaLink="false">https://www.theoscarproject.co/podcast/author-special-episode-1-mia-mask</guid><description><![CDATA[​Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn’t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;disclosure policy&nbsp;and&nbsp;privacy policy.It's a first for The Oscar Project, an interview with an author who writes about movies. Today's guest is Mia Mask, a professor at Vassar College where she teac [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><span style="color:rgb(86, 86, 86)">&#8203;</span><em style="color:rgb(86, 86, 86)">Disclosure: This post contains affiliate links and we receive a commission if you visit a link and buy something on our recommendation. Purchasing via an affiliate link doesn&rsquo;t cost you any extra and the opinions expressed in this post are the author's own. For more details see our&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">disclosure policy</a>&nbsp;and&nbsp;<a href="https://www.theoscarproject.co/policies--disclosures.html" target="_blank">privacy policy</a>.</em></div><span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:2px;*margin-top:4px'><a><img src="https://www.theoscarproject.co/uploads/1/2/6/5/12652767/published/podcast-cover-author-interview-mia-mask.png?1687290557" style="margin-top: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image"></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span><div class="paragraph" style="display:block;"><span style="color:rgb(86, 86, 86)">It's a first for The Oscar Project, an interview with an author who writes about movies. Today's guest is Mia Mask, a professor at Vassar College where she teaches African American cinema, Documentary History, and seminars on topics including horror film and auteurs like Spike Lee, Charles Burnett and Ava DuVernay. She also teaches feminist film theory, African national cinemas, and other genre courses. Her commentary can be heard on NPR and her first book&nbsp;</span><a href="https://amzn.to/3qWU3de" target="_blank"><em>Divas on Screen: Black Women in American Film</em></a><span style="color:rgb(86, 86, 86)">&nbsp;was published in 2009. Today she joins me to talk about her new book&nbsp;</span><a href="https://amzn.to/466a3tA" target="_blank"><em>Black Rodeo: A History of the African American Western</em></a><span style="color:rgb(86, 86, 86)">.</span><br><br><span style="color:rgb(86, 86, 86)">Listen to hear about Mia's work with Criterion, including getting to speak with actor Sidney Poitier, what three of her favorite westerns are, and much more.</span></div><hr style="width:100%;clear:both;visibility:hidden;"><div><div id="882875777409244048" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><div id="buzzsprout-player-13075444"></div></div></div><div class="paragraph">Books mentioned in this episode include:<ul><li><a href="https://amzn.to/3JpwrVc" target="_blank"><em>The Western in the Global South</em></a>&nbsp;by MaryEllen Higgins, Rita Keresztesi, and Dayna Oscherwitz</li><li><a href="https://amzn.to/3pgy0hq" target="_blank"><em>Undead in the West: Vampires, Zombies, Mummies, and Ghosts in the Cinematic Frontier</em></a>&nbsp;by Cynthia J. Miller and A. Bowdoin Van Riper</li><li><a href="https://amzn.to/43Nn2yY" target="_blank"><em>Horror Noire: Blacks in American Horror Films from the 1890s to Present</em></a>&nbsp;by Robin R. Means Coleman</li><li><a href="https://amzn.to/42P7FVe" target="_blank"><em>Horse</em></a>&nbsp;by Geraldine Brooks</li></ul>Films mentioned in this episode include:<ul><li><a href="https://amzn.to/3CEAaKM" target="_blank"><em>The Learning Tree</em></a>&nbsp;directed by Gordon Parks</li><li><a href="https://amzn.to/3CWonYx" target="_blank"><em>Buck and the Preacher</em></a>&nbsp;directed by Sidney Poitier</li><li><a href="https://amzn.to/3NgSX3M" target="_blank"><em>Thomasine and Bushrod</em></a>&nbsp;directed by Gordon Parks Jr.</li><li><a href="https://amzn.to/467EDDj" target="_blank"><em>Queen &amp; Slim</em></a>&nbsp;directed by Melina Matsoukas</li><li><a href="https://amzn.to/467F8xb" target="_blank"><em>Bonnie &amp; Clyde</em></a>&nbsp;directed by Arthur Penn</li><li><a href="https://amzn.to/3NdLSRv" target="_blank"><em>Django Unchained</em></a>&nbsp;directed by Quentin Tarantino</li><li><a href="https://amzn.to/3NDxOC9" target="_blank"><em>The Harder They Come</em></a>&nbsp;directed by Perry Henzell</li><li><a href="https://amzn.to/46gSPKj" target="_blank"><em>Five Fingers for Marseilles</em></a>&nbsp;directed by Michael Matthews</li><li><em>The Homesteader</em>&nbsp;directed by Oscar Micheaux and Jerry Mills</li><li><a href="https://amzn.to/3p6absB" target="_blank"><em>Swingtime</em></a>&nbsp;directed by George Stevens</li><li><a href="https://amzn.to/3PjionJ" target="_blank"><em>A Raisin in the Sun</em></a>&nbsp;directed by Daniel Petrie</li><li><a href="https://amzn.to/3NkS1vd" target="_blank"><em>Horror Noire: A History of Black Horror</em></a>&nbsp;directed by Robin Givens, Kimani Ray Smith, Rob J. Greenlea, Director X., Zandash&eacute; Brown, and Joe West</li></ul><br>Check out&nbsp;<a href="https://en.wikipedia.org/wiki/Lobo_(Dell_Comics)" target="_blank">Wikipedia</a>&nbsp;for more information about the&nbsp;<a href="https://en.wikipedia.org/wiki/Lobo_(Dell_Comics)" target="_blank">Lobo Comics</a>&nbsp;mentioned in the interview.<br><br>And check out this article from Collider featuring "<a href="https://collider.com/western-movie-genre-actors-pioneers/" target="_blank">10 Actors Who Were Pioneers of the Western Genre</a>."</div><h2 class="wsite-content-title">A Brief Intro to Black Westerns with Mia Mask</h2><div class="wsite-youtube" style="margin-bottom:10px;margin-top:10px;"><div class="wsite-youtube-wrapper wsite-youtube-size-auto wsite-youtube-align-center"><div class="wsite-youtube-container"><iframe src="//www.youtube.com/embed/b-lFIZai8fQ?wmode=opaque" frameborder="0" allowfullscreen=""></iframe></div></div></div>]]></content:encoded></item></channel></rss>